Analog outboard gear, tubes, spring reverb, tape delay

Bringing it all together/

Studio B

Located in a repurposed furniture factory just a stones throw from Studio A, it was originally designed and built in 2014 by Ric Vaughan. This is where we perform most of our mixing, mastering and editing. Its ultra-precise listening environment, together with Amphions pristine monitoring system, makes it effortless to make all the right and crucial mix decisions.

The room is also popular for overdubs, and as a writing and production room for composers, artists and producers. Like Studio A it has plenty of natural day light and stunning scenery right outside the windows.

We recently performed a massive upgrade of Studio B and it’s now approved by Dolby for mixing in Dolby Atmos. We’re really excited to be able to offer immersive audio delivery on top of our existing package.

Make the tracks come alive


Get in touch…

Fisheye view of a professional music recording studio with mixing console, computer, studio monitors, audio equipment racks, and acoustic treatment.
Close-up of audio equipment featuring knobs, switches, and an analog level meter with a black and silver color scheme. Retro leveling amp
A silver sign with black text reading "Dolby ATMOS certified" and "Dolby Atmos Music Studio" on a black wall, with a decorative photo panel featuring a person with raised hands and vibrant colors mounted on the wall beside it.
  • Mixing for Dolby Atmos
  • Analog bbd delay
  • Close-up of a black electronic audio device with illuminated triangular and arrow-shaped icons, and labels such as 'AD,' 'DA,' and numbered output channels.
  • Listening environment
  • Tape delay
  • Close-up of a large black speaker with two circular drivers, a white mid-range driver, and a black tweeter in the center, against a dark background.
  • Close-up of a professional audio compressor with vintage-style controls, including knobs and switches, on a black and red equipment rack.